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02200cam a2200277 i 4500 |
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150320s2016 enka b 001 0 eng |
010 |
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|a 2015010716
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020 |
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|a 9781138849525 (hardcover)
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020 |
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|a 9781138849549 (softcover)
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020 |
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|z 9781315725499 (ebook)
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042 |
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|a pcc
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082 |
0 |
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|a 070.18
|2 23
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245 |
0 |
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|a Contemporary documentary /
|c edited by Daniel Marcus and Selmin Kara.
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260 |
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|a New York:
|b Routledge,
|c 2016.
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300 |
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|a xvii, 209 pages :
|b illustrations ;
|c 25 cm
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504 |
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|a Includes bibliographical references and index.
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505 |
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|a Introduction: Situating Contemporary Documentary / Selmin Kara and Daniel Marcus -- FORMS, GENRES, INNOVATIONS. Lying to Be Real: The Aesthetics of Ambiguity in Docufictions / Ohad Landesman --The Mockumentary / Craig Hight -- Animated Documentary / Annabelle Honess Roe -- Producing the Crowdsourced Documentary: The Implications of Storytelling and Technology / Heather McIntosh -- Designed Experience in Interactive Documentaries / Siobhan O'Flynn -- Indigenous Documentary Media / Pamela Wilson -- DOCUMENTARY IN NEW CONTEXTS. True Life: The Voice of Television Documentary / Laurie Ouellette -- Interrogating the Media: Errol Morris in the Information Age / Kris Fallon -- Documentary and the Survival of the Film Auteur: Agnès Varda, Werner Herzog, and Spike Lee / Helen Hughes -- The Ethics of Appropriation: "Misusing" the Found Document in Suitcase of Love and Shame and A Film Unfinished / Jaimie Baron -- Documentary, Multi-Platform Production, and Cosmopolitan Dialogues / Ib Bondebjerg -- Documentary and Video Activism / Daniel Marcus.
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650 |
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|a Documentary films
|x History and criticism.
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650 |
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|a Documentary television programs
|x History and criticism.
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700 |
1 |
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|a Marcus, Daniel,
|e editor.
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700 |
1 |
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|a Kara, Selmin,
|e editor.
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942 |
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|c BK
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906 |
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|a 7
|b cbc
|c orignew
|d 1
|e ecip
|f 20
|g y-gencatlg
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955 |
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|b xk13 2015-03-20
|i xk13 2015-03-20 (telework) to DEWEY
|a xn08 2016-02-09 1 copy rec'd., to CIP ver.
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999 |
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|c 150860
|d 150860
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|1 0
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|a MCJ
|b MCJ
|c ST1
|d 2018-01-27
|i 3587
|l 3
|o 070.18 MAR/C
|p MCJ3587
|r 2018-10-24
|s 2018-08-23
|w 2018-01-27
|y BK
|