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The novel : a survival skill /

'The novel: a survival skill' offers a completely new account of the relationship between writer, text, and reader. Drawing on ideas from systemic psychology and positioning theory, Parks suggests that both the content and style of a novelist's work, the kind of stories told, and the...

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Bibliographic Details
Main Author: Parks, Tim
Format: Printed Book
Language:English
Published: UK: OUP, 2015.
Edition:First edition.
Series:Literary agenda.
Subjects:
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245 1 4 |a The novel :  |b a survival skill /  |c Tim Parks. 
250 |a First edition. 
260 |a UK:  |b OUP,  |c 2015. 
300 |a ix, 185 pages ;  |c 20 cm. 
490 0 |a The literary agenda 
504 |a Includes bibliographical references and index. 
505 0 |a Machine generated contents note: 1.Four Imagined Meetings -- 2.Schismogenesis and Semantic Polarities -- 3.Joyce: A Winner Looking to Lose -- 4.Good Boy, Bad Boy -- 5.The Reader's Address -- 6.Terrifying Bliss -- 7.Worthy Writers, Worthy Readers. 
520 |a 'The novel: a survival skill' offers a completely new account of the relationship between writer, text, and reader. Drawing on ideas from systemic psychology and positioning theory, Parks suggests that both the content and style of a novelist's work, the kind of stories told, and the way in which they are told, form part of a more general strategy of suvival that the novelist has developed in reaponse to tensions within his or her family of origin. Radically undermining traditional lit-crit criteria, and deconstructing the pieties with which the novel is usually defended, Parks gives a novelist's own insider account of what may be best understood as the biography of the act of writing itself and its relation to the lives with which it is entwined. 
650 0 |a Fiction  |x History and criticism  |x Theory, etc. 
650 0 |a Fiction  |x Psychological aspects. 
650 0 |a Books and reading. 
942 |c BK 
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