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The Routledge research companion to popular music and gender /
Why is gender inseparable from pop songs? What can gender representations in musical performances mean? Why are there strong links between gender, sexuality and popular music? The sound of the voice, the mix, the arrangement, the lyrics and images, all link our impressions of gender to music. Numero...
| Outros Autores: | |
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| Formato: | Printed Book |
| Idioma: | English |
| Publicado em: |
London:
Routledge,
c2017.
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| Assuntos: |
| LEADER | 05388cam a2200445 i 4500 | ||
|---|---|---|---|
| 008 | 160707s2017 enkag b 001 0 eng | ||
| 999 | |c 318986 |d 318986 | ||
| 010 | |a 2016030928 | ||
| 020 | |a 9781472456830 | ||
| 020 | |a 1472456831 | ||
| 020 | |a 9781315613437 | ||
| 020 | |a 1315613433 | ||
| 035 | |a (OCoLC)ocn953525391 | ||
| 042 | |a pcc | ||
| 049 | |a UIUU | ||
| 066 | |c Zsym | ||
| 082 | 0 | 0 | |a 781.64081 |2 23 |
| 245 | 0 | 4 | |a The Routledge research companion to popular music and gender / |c edited by Stan Hawkins. |
| 260 | |a London: |b Routledge, |c c2017. | ||
| 300 | |a xvii, 382 pages : |b illustrations, music ; |c 26 cm | ||
| 504 | |a Includes bibliographical references (pages 344-371) and index. | ||
| 520 | |a Why is gender inseparable from pop songs? What can gender representations in musical performances mean? Why are there strong links between gender, sexuality and popular music? The sound of the voice, the mix, the arrangement, the lyrics and images, all link our impressions of gender to music. Numerous scholars writing about gender in popular music to date are concerned with the music industry's impact on fans, and how tastes and preferences become associated with gender. This is the first collection of its kind to develop and present new theories and methods in the analysis of popular music and gender. The contributors are drawn from a range of disciplines including musicology, sociology, anthropology, gender studies, philosophy, and media studies, providing new reference points for studies in this interdisciplinary field. Stan Hawkins's introduction sets out to situate a variety of debates that prompts ways of thinking and working, where the focus falls primarily on gender roles. Amongst the innovative approaches taken up in this collection are: queer performativity, gender theory, gay and lesbian agency, the female pop celebrity, masculinities, transculturalism, queering, transgenderism and androgyny. This Research Companion is required reading for scholars and teachers of popular music, whatever their disciplinary background. | ||
| 650 | 0 | |a Popular music |x History and criticism. | |
| 650 | 0 | |a Sex role in music. | |
| 650 | 0 | |a Gender identity in music. | |
| 650 | 7 | |a Gender identity in music. |2 fast | |
| 650 | 7 | |a Popular music. |2 fast | |
| 650 | 7 | |a Sex role in music. |2 fast | |
| 650 | 7 | |a Geschlechtsunterschied |2 gnd | |
| 650 | 7 | |a Geschlechterrolle |2 gnd | |
| 650 | 7 | |a Unterhaltungsmusik |2 gnd | |
| 650 | 7 | |a Rockmusik |2 gnd | |
| 650 | 7 | |a Popmusik |2 gnd | |
| 700 | 1 | |a Hawkins, Stan, |e editor. | |
| 942 | |c BK | ||
| 655 | 7 | |a Criticism, interpretation, etc. |2 fast | |
| 880 | 0 | 0 | |6 505-00 |t Introduction: Sensing gender in popular music / |r Stan Hawkins -- |t Growing up to be a rapper: Justin Bieber's duet with Ludacris as transcultural practice / |r Barbara Bradby -- |t "Where we going Johnny" : homosociality and the early Beatles / |r Matthew Bannister -- |t From throat singing to transcultural expression : Tanya Tagaq's Katajjaq musical signature / |r Sophie St�evance -- |t Spectres of masculinity : markers of vulnerability and nostalgia in Johnny Cash / |r Eirik Asker�i -- |t "You mean I can make a TV show" : web series, assertive music, and African American women producers / |r Anahid Kassabian -- |t Holding on for dear life : gender, celebrity status, and vulnerability-on-display in Sia's 'Chandelier' / |r Kai Arne Hansen -- |t Gender, sexuality and the politics of looking in Beyonc�e's 'Video Phone' (featuring Lady Gaga) / |r Lori Burns and Marc Lafrance -- |t 'Working it' : female masculinity and Missy Elliott / |r Marita B. Djupvik -- |t High notes, high drama : musical climaxes and gender politics in tenor heroes and Broadway women / |r Freya Jarman -- |t The gendered narrative of nobodies and somebodies in the popular music economy / |r Keith Negus -- |t Staging the 'street boy' : transculturalism, realness and hypermasculinity in the Norwegian rapper Jesse Jones / |r Birgitte Sandve -- |t Fairport Convention : gender and voicing strategies in a sound signature / |r Tor Dybo -- |t "I don't play girly house music" : women, sonic stereotyping, and the dancing DJ / |r Tami Gadir -- |t 'A woman's place' : staging femininity in live music from Jenny Lind to the Jazz Age / |r Steve Waksman -- |t Beyonc�e : hip hop feminism and the embodiment of black femininity / |r Marquita R. Smith -- |t Performing race and gender : Erykah Badu between post-soul and Afrofuturism / |r Erik Steinskog -- |t "Armed with the faith of a child" : Marit Larsen and strategies of faking / |r Jon Mikkel Broch �Alvik -- |t "Singing from the heart" : notions of gendered authenticity in pop music / |r Bridget Coulter -- |t Doing hip-hop masculinity differently : exploring Kanye West's 808s & Heartbreak through word, sound, and image / |r Marc Lafrance, Lori Burns, and Alyssa Woods -- |t Express yourself! : gender euphoria and intersections / |r Doris Leibetseder -- |t Covering trans media : temporal and narrative potential in messy musical archives / |r Craig Jennex and Maria Murphy -- |t Confronting the gender trouble for real : Mina Caputo, metal truth and transgender power / |r Susanna V�alim�aki. |
| 945 | |a LBD data change - Master record variable field(s) change: 505, 880 |b 08/25/2017 | ||
| 945 | |b 08/09/2017 | ||
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