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Film and phenomenology : toward a realist theory of cinematic representation /
In Film and Phenomenology, Allan Casebier develops a theory of representation first indicated in the writings of the father of phenomenology, Edmund Husserl, and then applies it to the case of cinematic representation. This work provides one of the clearest expositions of Husserl's highly influ...
| Príomhúdar: | |
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| Formáid: | Printed Book |
| Teanga: | English |
| Foilsithe: |
Cambridge ; New York :
Cambridge University Press,
1991.
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| Ábhair: | |
| Rochtain Ar Líne: | http://www.loc.gov/catdir/description/cam024/91013678.html |
Idirlíon
http://www.loc.gov/catdir/description/cam024/91013678.htmlUniversity of Calicut
| Gairmuimhir: |
791.43/01 CAS/F |
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| Cóip | Live Status Unavailable |