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Making movies /
Why does a director choose a particular script? What must they do in order to keep actors fresh and truthful through take after take of a single scene? How do you stage a shootout--involving more than one hundred extras and three colliding taxis--in the heart of New York's diamond district? Wha...
| Autore principale: | |
|---|---|
| Natura: | Printed Book |
| Lingua: | English |
| Pubblicazione: |
New York :
Vintage,
c1995.
|
| Edizione: | 1st ed. |
| Soggetti: |
| LEADER | 02394mam a2200229 a 4500 | ||
|---|---|---|---|
| 008 | 940810t1995 nyua f 000 0 eng | ||
| 020 | |a 0679756604 | ||
| 082 | 0 | 0 | |a 791.43/0233/092 |2 20 |
| 100 | 1 | |a Lumet, Sidney | |
| 245 | 1 | 0 | |a Making movies / |c by Sidney Lumet. |
| 250 | |a 1st ed. | ||
| 260 | |a New York : |b Vintage, |c c1995. | ||
| 263 | |a 9503 | ||
| 300 | |a x, 220 p. : |b ill. ; |c 22 cm. | ||
| 500 | |a Cover title. | ||
| 505 | 0 | |a 1. The Director: The Best Job in the World -- 2. The Script: Are Writers Necessary? -- 3. Style: The Most Misused Word Since Love -- 4. Actors: Can an Actor Really Be Shy? -- 5. The Camera: Your Best Friend -- 6. Art Direction and Clothes: Does Faye Dunaway Really Have the Skirt Taken in in Sixteen Different Places? -- 7. Shooting the Movie: At Last! -- 8. Rushes: The Agony and the Ecstasy -- 9. The Cutting Room: Alone at Last -- 10. The Sound of Music: The Sound of Sound -- 11. The Mix: The Only Dull Part of Moviemaking -- 12. The Answer Print: Here Comes the Baby -- 13. The Studio: Was It All for This? -- Films Directed by Sidney Lumet. | |
| 520 | |a Why does a director choose a particular script? What must they do in order to keep actors fresh and truthful through take after take of a single scene? How do you stage a shootout--involving more than one hundred extras and three colliding taxis--in the heart of New York's diamond district? What does it take to keep the studio honchos happy? From the first rehearsal to the final screening, Making Movies is a master's take, delivered with clarity, candor, and a wealth of anecdote. For in this book, Sidney Lumet, one of our most consistently acclaimed directors, gives us both a professional memoir and a definitive guide to the art, craft, and business of the motion picture. Drawing on forty years of experience on movies that range from Long Day's Journey into Night to Network and The Verdict--and with such stars as Katharine Hepburn, Paul Newman, Marlon Brando, and Al Pacino--Lumet explains how painstaking labor and inspired split-second decisions can result in two hours of screen magic. | ||
| 650 | 0 | |a Motion pictures |x Production and direction |v Handbooks, manuals, etc. | |
| 900 | |a AUTH |b TOC | ||
| 942 | |c BK | ||
| 999 | |c 276954 |d 276954 | ||
| 952 | |0 0 |1 0 |2 ddc |4 0 |6 791_430000000000000_0233_092_LUM_M |7 0 |9 311527 |a PHL |b PHL |c ST1 |d 2016-01-23 |i 4496 |l 0 |o 791.43/0233/092 LUM/M |p PHL4496 |r 2016-01-23 |y BK |k $ 8.00 | ||