Učitavanje...
Modern art : a very short introduction /
As public interest in modern art continues to grow, as witnessed by the spectacular success of Tate Modern and the Bilbao Guggenheim, there is a real need for a book that will engage general readers, offering them not only information and ideas about modern art, but also explaining its contemporary...
| Glavni autor: | |
|---|---|
| Format: | Printed Book |
| Jezik: | English |
| Izdano: |
Oxford [England] ; New York :
Oxford University Press,
c2005.
|
| Teme: | |
| Online pristup: | http://www.loc.gov/catdir/toc/ecip053/2004027127.html http://www.loc.gov/catdir/enhancements/fy0636/2004027127-d.html http://www.loc.gov/catdir/enhancements/fy0723/2004027127-b.html |
| LEADER | 02511cam a22002654a 4500 | ||
|---|---|---|---|
| 008 | 041115t2005 enka b 001 0 eng | ||
| 020 | |a 0192803646 (pbk. : alk. paper) |c Rs. 175.00 | ||
| 082 | 0 | 0 | |a 709/.04 |2 22 |
| 100 | 1 | |a Cottington, David. | |
| 245 | 1 | 0 | |a Modern art : |b a very short introduction / |c David Cottington. |
| 260 | |a Oxford [England] ; |a New York : |b Oxford University Press, |c c2005. | ||
| 300 | |a 152 p. : |b ill. ; |c 18 cm. | ||
| 504 | |a Includes bibliographical references (p. 142-146) and index. | ||
| 505 | 0 | |a Introduction: modern art: monument or mockery? -- Tracking the avant-garde -- Modern media, modern messages -- From Picasso to pop idols: the eminence of the artist -- Alchemical practices: modern art and consumerism -- Past the post: whatever next? | |
| 520 | |a As public interest in modern art continues to grow, as witnessed by the spectacular success of Tate Modern and the Bilbao Guggenheim, there is a real need for a book that will engage general readers, offering them not only information and ideas about modern art, but also explaining its contemporary relevance and history. This book achieves all this and focuses on interrogating the idea of 'modern' art by asking such questions as: What has made a work of art qualify as modern (or fail to)? How has this selection been made? What is the relationship between modern and contemporary art? Is 'postmodernist' art no longer modern, or just no longer modernist - in either case, why, and what does this claim mean, both for art and the idea of 'the modern'? Cottington examines many key aspects of this subject, including the issue of controversy in modern art, from Manet's Dejeuner sur L'Herbe (1863) to Picasso's Les Demoiselles, and Tracey Emin's Bed, (1999); and the role of the dealer from the main Cubist art dealer Kahnweiler to Charles Saatchi. | ||
| 650 | 0 | |a Art, Modern |y 19th century. | |
| 650 | 0 | |a Art, Modern |y 20th century. | |
| 856 | 4 | 1 | |u http://www.loc.gov/catdir/toc/ecip053/2004027127.html |
| 856 | 4 | 2 | |u http://www.loc.gov/catdir/enhancements/fy0636/2004027127-d.html |
| 856 | 4 | 2 | |u http://www.loc.gov/catdir/enhancements/fy0723/2004027127-b.html |
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| 942 | |c BK | ||
| 955 | |a jk04 2004-11-15 |c jk04 2004-11-15 |a aa08 2004-11-17 |a ps02 2005-04-28 1 copy rec'd., to CIP ver. |a jk00 2005-05-20 | ||
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