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|a Steene, B. A biographical note.--Kaminsky, S. M. The torment of insight: children and innocence in the films of Ingmar Bergman.--Blake, R. A. Sexual themes in the films of Ingmar Bergman.--Phillips, G. D. Ingmar Bergman and God.--Wood, R. The world without, the world within.--Bergman, I. Each film is my last.--Samuels, C. T. Ingmar Bergman: an interview.--Ulrichsen, E. The early films: Ingmar Bergman and the Devil.--Donner, J. The Seventh seal: a director's view.--Blake, R. A. Salvation without God.--Greenberg, H. R. The rags of time.--Bach, S. Discussion of Greenberg's article.--Young, V. The Magician: finding the sources.--Steene, B. The Virgin spring.--Kauffmann, S. A negative view: The Virgin spring.--Adams, R. H. How light the darkness?--Sjoman, V. From L136: A diary of Ingmar Bergman's Winter light.--Brightman, C. The word, the image, and the Silence.--Sontag, S., Persona: the film in depth.--Gilliatt, P. Poems of square pegs.--Strick, P. Hour of the wolf.--Lauder, R. E. Bergman's Shame and Sartre's Stare.--Harcourt, P. A Passion: analysis.--Lauder, R. E. The Touch: the role of religion in Bergman's Odyssey.--Mellen, J. Cries and whispers: Bergman and women.--Keyser, L. J. Bergman and the popular audience.
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