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920204s1993 enk b 001 0 eng |
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|a 92006007
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|a 0631165746(hb:acidfreepaper)
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|a 0631165754(pb:acidfreepaper)
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|a (NNC)1247137
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|a (OCoLC)25371768
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|a (OCoLC)ocm25371768
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|a 709.04 HAR/A
|2 20
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|a Art in theory, 1900-1990 :
|b an anthology of changing ideas /
|c edited by Charles Harrison and Paul Wood.
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| 260 |
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|a Oxford, UK ;
|a Cambridge, Mass., USA :
|b Blackwell,
|c 1993.
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| 300 |
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|a xxv, 1189 p. ;
|c 23 cm.
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| 504 |
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|a Includes bibliographical references and index.
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|a I. The Legacy of Symbolism. A. Classicism and Originality. B. Expression and the Primitive -- II. The Idea of the Modern World. A. Modernity. B. Cubism -- III. Rationalization and Transformation. A. Neo-Classicism and the Call to Order. B. Dissent and Disorder. C. Abstraction and Form. D. Utility and Construction -- IV. Freedom, Responsibility and Power. A. The Modern as Ideal. B. Realism as Figuration. C. Realism as Critique. D. Modernism as Critique -- V. The Individual and the Social. A. The American Avant-Garde. B. Individualism in Europe. C. Art and Society -- VI. Modernization and Modernism. A. Art and Modern Life. B. Modernist Art -- VII. Institutions and Objections. A. Objecthood and Reductivism. B. Attitudes to Form. C. Political Aspects. D. Critical Revisions -- VIII. Ideas of the Postmodern. A. The Condition of History. B. The Critique of Originality. C. Figures of Difference.
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| 650 |
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|a Art, Modern
|y 20th century
|x Philosophy.
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| 700 |
1 |
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|a Harrison, Charles,
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| 700 |
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|a Wood, Paul.
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| 900 |
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|a AUTH
|b TOC
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| 942 |
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|2 ddc
|c BK
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|d 2016-01-05
|i 16391
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