Film and the digital in visual studies: film studies in the era of convergence

This article examines how the convergence of various media impacts upon the relations between film studies and visual studies. The questions raised are: How did visual studies emerge as a discipline with film studies in its purview? How does the digital, an aspect of late 20th-century visual culture...

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Xehetasun bibliografikoak
Egile nagusia: Lisa Cartwright
Formatua: Printed Book
Argitaratua: Journal of Visual Culture 1(1) 2002 2002
Gaiak:
OPTICAL VIRTUALITY
Sarrera elektronikoa:http://10.26.1.76/ks/00423.pdf
LEADER 012630000a22001450004500
100 |a Lisa Cartwright 
245 |a Film and the digital in visual studies: film studies in the era of convergence 
260 |c 2002 
260 |b Journal of Visual Culture 1(1) 2002 
520 |a This article examines how the convergence of various media impacts upon the relations between film studies and visual studies. The questions raised are: How did visual studies emerge as a discipline with film studies in its purview? How does the digital, an aspect of late 20th-century visual culture which emerged roughly simultaneously with visual studies, figure into the field? What happens when film studies is embedded in or combined with visual studies? In acknowledging that visual studies is an outcome of and a response to the conditions of media convergence, this article ends by offering a sense of how questions around optical virtuality and medical imaging can make sense of the effects that media convergence is having on the conditions of experience and subjectivity within modernity.  
650 |a OPTICAL VIRTUALITY 
856 |u http://10.26.1.76/ks/00423.pdf 
942 |c KS 
999 |c 69812  |d 69812 
952 |0 0  |1 0  |4 0  |7 0  |9 61776  |a MGUL  |b MGUL  |d 2015-08-01  |l 0  |r 2015-08-01  |w 2015-08-01  |y KS 

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