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Dissent and Displacement of Subalternity in Malayalam Cinema: A Cultural Analysis of Papilio Buddha by Jayan K. Cherian
The theme of subalternity with its inherent ramifications is yet to find favour among film makers in India. Progressive film makers of the 1960s attempted to address the theme of subaltern and dared to give the subaltern a voice, but they remained singular attempts. Through a case study on a Malayal...
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| Natura: | Printed Book |
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Journal of Creative Communications
2016
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| Accesso online: | http://10.26.1.76/ks/007738.pdf |