Á lódáil...
BETWEEN THE COLONIAL AND THE NATIONAL MODERN: GENDER DYNAMICS IN EARLY CINEMA IN KERALAM
Keralam, with its erstwhile tradition of matrilineal forms of kinship pattern, has evolved into one of the most advanced states of India in terms of social development indicators. Yet in 1933, its unique form of matrilineal kinship became the first kinship system in the world to be legally abolished...
| Príomhúdar: | MEENA T. PILLAI |
|---|---|
| Formáid: | Printed Book |
| Foilsithe: |
Samyukta: A Journal of Women’s Studies
|
| Ábhair: | |
| Rochtain Ar Líne: | http://10.26.1.76/ks/007476.pdf |
Míreanna Comhchosúla
-
Casting Caste Dalit Identity, Papilio Buddha, and Malayalam Cinema
le: Sathyaraj Venkatesan AND Rajesh James
Foilsithe: (2017) -
THE STORY OF MALAYALAM CINEMA : BIRTH AND EARLY YEARS (1928 – 1950)
le: CHANDRALEKHA K. R.
Foilsithe: (2013) -
Dissent and Displacement of Subalternity in Malayalam Cinema: A Cultural Analysis of Papilio Buddha by Jayan K. Cherian
le: Sony Jalarajan Raj; Swapna Gopinath and Rohini Sreekumar
Foilsithe: (2016) -
Hollywood's high noon : moviemaking and society before television /
le: Cripps, Thomas
Foilsithe: (1997) -
Spectres of the New Wave : The State of the Work of Mourning, and the New Cinema Aesthetic in a Regional Industry
le: PARICHAY PATRA