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Aesthetic dislocations: A re-take on Malayalam cinema of the 1970s
The centrality of South Indian cinemas in ‘New Indian Cinema’, one of the many cultural constellations of the turbulent and vibrant 1970s, has been widely acknowledged. Focusing on the aesthetic structuring of select moments from Adoor Gopalakrishnan’s Swayamvaram, K.P. Kumaran’s Athithi and P.A. Ba...
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Format: | Printed Book |
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South Asian Popular Culture
2012
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Online Access: | http://10.26.1.76/ks/006564.pdf |