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The copyright/design interface past, present, and future
"Protecting designs is complex and diverse; it involves deciding whether to protect them by design law, copyright law, or by both laws. A single protection may be under- or overprotective but two or more can be overprotective if there are no rules regulating the overlap. Legal systems in Europe...
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| Médium: | Printed Book |
| Jazyk: | English |
| Edice: | Cambridge intellectual property and information law
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Obsah:
- Machine generated contents note: 1. The Copyright/Design Interface in France Anne-Emmanuelle Kahn; 2. The Copyright/Design Interface in the Netherlands Antoon Quaedvlieg; 3. The Copyright/Design Interface in Greece Irini Stamatoudi and Maria-Daphne Papadopoulou; 4. The Copyright/Design Interface in Scandinavia Jens Schovsbo and Morten Rosenmeier; 5. The Case for Partial Cumulation in Germany Ansgar Ohly; 6. The Design Copyright Conflict in the United Kingdom: A History Lionel Bently; 7. The Copyright/Design Interface in Australia Isabella Alexander; 8. The Copyright/Design Interface in Italy Estelle Derclaye; 9. "Courts Have Twisted Themselves Into Knots" (and the Tangled Knots Remain Tangled): US Copyright Protection for Applied Art after Star Athletica Jane C. Ginsburg; 10. US Design Patent Law: A Historical Look at the Design Patent/Copyright Interface Jason J. Du Mont and Mark D. Janis; 11. The Copyright/Design Interface in Japan Masahiro Motoyama; 12. A Model Copyright/Design Interface: Not an Impossible and Undesirable Task? Estelle Derclaye.